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Authors: Peter Mayle

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Maurice came over and asked if his cooking had pleased us. He sat down while he did some addition on a scrap of paper. “
La douloureuse
,” he said, pushing it over the table. It came to just over 650 francs, or about what two people would pay for a smart lunch in Fulham. One of our friends asked him if he’d ever thought of moving somewhere more accessible, like Avignon or even Ménerbes. He shook his head. “It’s good here. I have everything I want.” He could see himself there and cooking in twenty-five years’ time, and we hoped we would still be in a fit state to totter up and enjoy it.

On the way home, we noticed that the combination of food and Sunday has a calming influence on the French motorist. His stomach is full. He is on his weekly holiday. He dawdles along without being tempted by the thrills of overtaking on a blind bend. He stops to take the air and relieve himself in the bushes by the roadside, at one with nature, nodding companionably at passing cars. Tomorrow he will take up the mantle of the kamikaze pilot once again, but today it is Sunday in Provence, and life is to be enjoyed.

T
HE LOCAL
advertising industry was in bloom. Any car parked near a market for longer than five minutes became a target for roving Provençal media executives, who swooped from windscreen to windscreen stuffing small, excitable posters under the wipers. We were constantly returning to our car to find it flapping with messages—breathless news of forthcoming attractions, unmissable opportunities, edible bargains, and exotic services.

There was an accordion contest in Cavaillon, with the added delights of “
Les Lovely Girls Adorablement Déshabillées (12 Tableaux)
” to entertain us in between numbers. A supermarket was launching
Opération Porc
, which promised every conceivable part of a pig’s anatomy at prices so low that we would rub our eyes in disbelief. There were
boules
tournaments and
bals dansants
,
bicycle races and dog shows, mobile discothèques complete with
disc jockeys
, firework displays, and organ recitals. There was Madame Florian, clairvoyant and alchemist, who was so confident of her supernatural powers that she provided a guarantee of satisfaction with every séance. There were the working girls—from Eve, who described herself as a delicious creature available for saucy rendezvous, to Mademoiselle Roz, who could realize all our fantasies over the telephone, a service that she proudly announced had been banned in Marseilles. And there was, one day, a desperate and hastily written note asking not for our money but for our blood.

The smudged photocopy told the story of a small boy who was waiting to go to America for a major operation, and who needed constant transfusions to keep him alive until the hospital could accept him. “
Venez nombreux et vite
,” said the note. The blood unit would be at the village hall in Gordes at eight the next morning.

When we arrived at 8:30 the hall was already crowded. A dozen beds were arranged along the wall, all occupied, and from the row of upturned feet we could see that a good cross-section of the local population had turned out, easily identified by their footwear: sandals and espadrilles for the shopkeepers, high heels for the young matrons, canvas ankle boots for the peasants, and carpet slippers for their wives. The elder women kept a firm grip on their shopping baskets with one hand while they clenched and unclenched the other fist to speed the flow of blood into the plastic bags, and there was considerable debate about whose contribution was the darkest, richest, and most nourishing.

We lined up for a blood test behind a thick-set old man with a florid nose, a frayed cap, and overalls, who watched with amusement as the nurse made unsuccessful attempts to prick the toughened skin of his thumb.

“Do you want me to fetch the butcher?” he asked. She jabbed once more, harder. “
Merde.
” A swelling drop of blood appeared,
and the nurse transferred it neatly into a small tube, added some liquid, and shook the mixture vigorously. She looked up from the tube with a disapproving expression.

“How did you come here?” she asked the old man.

He stopped sucking his thumb. “Bicycle,” he said, “all the way from Les Imberts.”

The nurse sniffed. “It astonishes me that you didn’t fall off.” She looked at the tube again. “You’re technically drunk.”

“Impossible,” said the old man. “I may have had a little red wine with breakfast,
comme d’habitude
, but that’s nothing. And furthermore,” he said, wagging his bloodstained thumb under her nose, “a measure of alcohol enriches the corpuscles.”

The nurse was not convinced. She sent the old man away to have a second breakfast, this time with coffee, and told him to come back at the end of the morning. He lumbered off grumbling, holding the wounded thumb before him like a flag of battle.

We were pricked, pronounced sober, and shown to our beds. Our veins were plumbed into the plastic bags. We clenched and unclenched dutifully. The hall was noisy and good-humored, and people who would normally pass one another on the street without acknowledgment were suddenly friendly, in the way that often happens when strangers are united in their performance of a good deed. Or it might have had something to do with the bar at the end of the room.

In England, the reward for a bagful of blood is a cup of tea and a biscuit. But here, after being disconnected from our tubes, we were shown to a long table manned by volunteer waiters. What would we like? Coffee, chocolate, croissants, brioches, sandwiches of ham or garlic sausage, mugs of red or rosé wine? Eat up! Drink up! Replace those corpuscles! The stomach must be served! A young male nurse was hard at work with a corkscrew, and the supervising doctor in his long white coat wished us all
bon appétit.
If the steadily growing pile of empty bottles behind the bar was anything to go by, the appeal for blood was an undoubted success, both clinically and socially.

Some time later, we received through the post our copy of
Le Globule
, the official magazine for the blood donors. Hundreds of liters had been collected that morning in Gordes, but the other statistic that interested me—the number of liters that had been drunk—was nowhere to be found, a tribute to medical discretion.

O
UR FRIEND
the London lawyer, a man steeped in English reserve, was watching what he called the antics of the frogs from the Fin de Siècle café in Cavaillon. It was market day, and the pavement was a human traffic jam, slow moving, jostling and chaotic.

“Look over there,” he said, as a car stopped in the middle of the street while the driver got out to embrace an acquaintance, “they’re always mauling each other. See that?
Men kissing.
Damned unhealthy, if you ask me.” He snorted into his beer, his sense of propriety outraged by such deviant behavior, so alien to the respectable Anglo-Saxon.

It had taken me some months to get used to the Provençal delight in physical contact. Like anyone brought up in England, I had absorbed certain social mannerisms. I had learned to keep my distance, to offer a nod instead of a handshake, to ration kissing to female relatives and to confine any public demonstrations of affection to dogs. To be engulfed by a Provençal welcome, as thorough and searching as being frisked by airport security guards, was, at first, a startling experience. Now I enjoyed it, and I was fascinated by the niceties of the social ritual, and the sign language which is an essential part of any Provençal encounter.

When two unencumbered men meet, the least there will be is the conventional handshake. If the hands are full, you will be offered a little finger to shake. If the hands are wet or dirty, you will be offered a forearm or an elbow. Riding a bicycle or driving a car does not excuse you from the obligation to
toucher les cinq sardines
, and so you will see perilous contortions being performed
on busy streets as hands grope through car windows and across handlebars to find each other. And this is only at the first and most restrained level of acquaintance. A closer relationship requires more demonstrative acknowledgment.

As our lawyer friend had noticed, men kiss other men. They squeeze shoulders, slap backs, pummel kidneys, pinch cheeks. When a Provençal man is truly pleased to see you, there is a real possibility of coming away from his clutches with superficial bruising.

The risk of bodily damage is less where women are concerned, but an amateur can easily make a social blunder if he miscalculates the required number of kisses. In my early days of See
also
discovery, I would plant a single kiss, only to find that the other cheek was being proffered as I was drawing back. Only snobs kiss once, I was told, or those unfortunates who suffer from congenital
froideur.
I then saw what I assumed to be the correct procedure—the triple kiss, left-right-left, so I tried it on a Parisian friend. Wrong again. She told me that triple-kissing was a low Provençal habit, and that two kisses were enough among civilized people. The next time I saw my neighbor’s wife, I kissed her twice. “
Non
,” she said, “
trois fois.

I now pay close attention to the movement of the female head. If it stops swiveling after two kisses, I am almost sure I’ve filled my quota, but I stay poised for a third lunge just in case the head should keep moving.

It’s a different but equally tricky problem for my wife, who is on the receiving end and has to estimate the number of times she needs to swivel, or indeed if she needs to swivel at all. One morning she heard a bellow in the street, and turned to see Ramon the plasterer advancing on her. He stopped, and wiped his hands ostentatiously on his trousers. My wife anticipated a handshake, and held out her hand. Ramon brushed it aside and kissed her three times with great gusto. You never can tell.

Once the initial greeting is over, conversation can begin.
Shopping baskets and packages are put down, dogs are tied to café tables, bicycles and tools are leaned up against the nearest wall. This is necessary, because for any serious and satisfactory discussion both hands must be free to provide visual punctuation, to terminate dangling sentences, to add emphasis, or simply to decorate speech which, as it is merely a matter of moving the mouth, is not on its own sufficiently physical for the Provençal. So the hands and the eternally eloquent shoulders are vital to a quiet exchange of views, and in fact it is often possible to follow the gist of a Provençal conversation from a distance, without hearing the words, just by watching expressions and the movements of bodies and hands.

There is a well-defined silent vocabulary, starting with the hand waggle which had been introduced to us by our builders. They used it only as a disclaimer whenever talking about time or cost, but it is a gesture of almost infinite flexibility. It can describe the state of your health, how you’re getting on with your mother-in-law, the progress of your business, your assessment of a restaurant, or your predictions about this year’s melon crop. When it is a subject of minor importance, the waggle is perfunctory, and is accompanied by a dismissive raising of the eyebrows. More serious matters—politics, the delicate condition of one’s liver, the prospects for a local rider in the Tour de France—are addressed with greater intensity. The waggle is in slow motion, with the upper part of the body swaying slightly as the hand rocks, a frown of concentration on the face.

The instrument of warning and argument is the index finger, in one of its three operational positions. Thrust up, rigid and unmoving, beneath your conversational partner’s nose, it signals caution—watch out,
attention
, all is not what it seems. Held just below face level and shaken rapidly from side to side like an agitated metronome, it indicates that the other person is woefully ill informed and totally wrong in what he has just said. The correct opinion is then delivered, and the finger changes
from its sideways motion into a series of jabs and prods, either tapping the chest if the unenlightened one is a man or remaining a few discreet centimeters from the bosom in the case of a woman.

Describing a sudden departure needs two hands: the left, fingers held straight, moves upwards from waist level to smack into the palm of the right hand moving downward—a restricted version of the popular and extremely vulgar bicep crunch. (Seen at its best during midsummer traffic jams, when disputing drivers will leave their cars to allow themselves the freedom of movement necessary for a left-arm uppercut stopped short by the right hand clamping on the bicep.)

At the end of the conversation, there is the promise to stay in touch. The middle three fingers are folded into the palm and the hand is held up to an ear, with the extended thumb and little finger imitating the shape of a telephone. Finally, there is a parting handshake. Packages, dogs, and bicycles are gathered up until the whole process starts all over again fifty yards down the street. It’s hardly surprising that aerobics never became popular in Provence. People get quite enough physical exercise in the course of a ten-minute chat.

These and other everyday amusements of life in nearby towns and villages were not doing much for our spirit of exploration and adventure. With so many distractions on our doorstep, we were neglecting the more famous parts of Provence, or so we were told by our friends in London. In the knowledgeable and irritating manner of seasoned armchair travelers, they kept pointing out how conveniently placed we were for Nîmes and Aries and Avignon, for the flamingoes of the Camargue and the
bouillabaisse
of Marseilles. They seemed surprised and mildly disapproving when we admitted that we stayed close to home, not believing our excuses that we could never find the time to go anywhere, never felt a compulsion to go church crawling or monument spotting, didn’t want to be tourists. There was one exception
to this rooted existence, and one excursion that we were always happy to make. We both loved Aix.

BOOK: A Year in Provence
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