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Authors: Elizabeth Bear

Tags: #Fantasy, #Short Stories, #Fiction

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BOOK: Shoggoths in Bloom
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“Hello, Belvedere,” Chalcedony said.

“Found a puppy.” He kicked his ragged blanket flat so he could lay the dog down.

“Are you going to eat it?”

“Chalcedony!” he snapped, and covered the animal protectively with his arms. “S’hurt.”

She contemplated. “You wish me to tend to it?”

He nodded, and she considered. She would need her lights, energy, irreplaceable stores. Antibiotics and coagulants and surgical supplies, and the animal might die anyway. But dogs were valuable; she knew the handlers held them in great esteem, even greater than Sergeant Patterson’s esteem for Chalcedony. And in her library, she had files on veterinary medicine.

She flipped on her floods and accessed the files.

She finished before morning, and before her cells ran dry. Just barely.

When the sun was up and young dog was breathing comfortably, the gash along its haunch sewn closed and its bloodstream saturated with antibiotics, she turned back to the last necklace. She would have to work quickly, and Sergeant Patterson’s necklace contained the most fragile and beautiful beads, the ones Chalcedony had been most concerned with breaking and so had saved for last, when she would be most experienced.

Her motions grew slower as the day wore on, more laborious. The sun could not feed her enough to replace the expenditures of the night before. But bead linked into bead, and the necklace grew—bits of pewter, of pottery, of glass and mother of pearl. And the chalcedony Buddha, because Sergeant Patterson had been Chalcedony’s operator.

When the sun approached its zenith, Chalcedony worked faster, benefiting from a burst of energy. The young dog slept on in her shade, having wolfed the scraps of bird Belvedere gave it, but Belvedere climbed the rock and crouched beside her pile of finished necklaces.

“Who’s this for?” he asked, touching the slack length draped across her manipulator.

“Kay Patterson,” Chalcedony answered, adding a greenish-brown pottery bead mottled like a combat uniform.

“Sir Kay,” Belvedere said. His voice was changing, and sometimes it abandoned him completely in the middle of words, but he got that phrase out entire. “She was King Arthur’s horse-master, and his adopted brother, and she kept his combat robots in the stable,” he said, proud of his recall.

“They were different Kays,” she reminded. “You will have to leave soon.” She looped another bead onto the chain, closed the link, and workhardened the metal with her fine manipulator.

“You can’t leave the beach. You can’t climb.”

Idly, he picked up a necklace, Rodale’s, and stretched it between his hands so the beads caught the light. The links clinked softly.

Belvedere sat with her as the sun descended and her motions slowed. She worked almost entirely on solar power now. With night, she would become quiescent again. When the storms came, the waves would roll over her, and then even the sun would not awaken her again. “You must go,” she said, as her grabs stilled on the almost-finished chain. And then she lied and said, “I do not want you here.”

“Who’s this’n for?” he asked. Down on the beach, the young dog lifted its head and whined. “Garner,” she answered, and then she told him about Garner, and Antony, and Javez, and Rodriguez, and Patterson, and White, and Wosczyna, until it was dark enough that her voice and her vision failed.

In the morning, he put Patterson’s completed chain into Chalcedony’s grabs. He must have worked on it by firelight through the darkness. “Couldn’t harden the links,” he said, as he smoothed them over her claws.

Silently, she did that, one by one. The young dog was on its feet, limping, nosing around the base of the rock and barking at the waves, the birds, a scuttling crab. When Chalcedony had finished, she reached out and draped the necklace around Belvedere’s shoulders while he held very still. Soft fur downed his cheeks. The male Marines had always scraped theirs smooth, and the women didn’t grow facial hair.

“You said that was for Sir Kay.” He lifted the chain in his hands and studied the way the glass and stones caught the light.

“It’s for somebody to remember her,” Chalcedony said. She didn’t correct him this time. She picked up the other forty necklaces. They were heavy, all together. She wondered if Belvedere could carry them all. “So remember her. Can you remember which one is whose?”

One at a time, he named them, and one at a time she handed them to him. Rogers, and Rodale, and van Metier, and Percy. He spread a second blanket out—and where had he gotten a second blanket? Maybe the same place he’d gotten the dog—and laid them side by side on the navy blue wool.

They sparkled.

“Tell me the story about Rodale,” she said, brushing her grab across the necklace. He did, sort of, with half of Roland-and-Oliver mixed in. It was a pretty good story anyway, the way he told it. Inasmuch as she was a fit judge.

“Take the necklaces,” she said. “Take them. They’re mourning jewelry. Give them to people and tell them the stories. They should go to people who will remember and honor the dead.”

“Where’d I find alla these people?” he asked, sullenly, crossing his arms. “Ain’t on the beach.”

“No,” she said, “they are not. You’ll have to go look for them.”

But he wouldn’t leave her. He and the dog ranged up and down the beach as the weather chilled. Her sleeps grew longer, deeper, the low angle of the sun not enough to awaken her except at noon. The storms came, and because the table rock broke the spray, the salt water stiffened her joints but did not—yet—corrode her processor. She no longer moved and rarely spoke even in daylight, and Belvedere and the young dog used her carapace and the rock for shelter, the smoke of his fires blackening her belly.

She was hoarding energy.

By mid-November, she had enough, and she waited and spoke to Belvedere when he returned with the young dog from his rambling. “You must go,” she said, and when he opened his mouth to protest, she added “It is time you went on errantry.”

His hand went to Patterson’s necklace, which he wore looped twice around his neck, under his ragged coat. He had given her back the others, but that one she had made a gift of. “Errantry?”

Creaking, powdered corrosion grating from her joints, she lifted the necklaces off her head. “You must find the people to whom these belong.”

He deflected her words with a jerk of his hand. “They’s all dead.”

“The warriors are dead,” she said. “But the stories aren’t. Why did you save the young dog?”

He licked his lips, and touched Patterson’s necklace again. “ ’Cause you saved me. And you told me the stories. About good fighters and bad fighters. And so, see, Percy woulda saved the dog, right? And so would Hazel-rah.”

Emma Percy, Chalcedony was reasonably sure, would have saved the dog if she could have. And Kevin Michaels would have saved the kid. She held the remaining necklaces out. “Who’s going to protect the other children?”

He stared, hands twisting before him. “You can’t climb.”

“I can’t. You must do this for me. Find people to remember the stories. Find people to tell about my platoon. I won’t survive the winter.” Inspiration struck. “So I give you this quest, Sir Belvedere.”

The chains hung flashing in the wintry light, the sea combed gray and tired behind them. “What kinda people?”

“People who would help a child,” she said. “Or a wounded dog. People like a platoon should be.”

He paused. He reached out, stroked the chains, let the beads rattle. He crooked both hands, and slid them into the necklaces up to the elbows, taking up her burden.

Sonny Liston Takes the Fall

1.

“I gotta tell you, Jackie,” Sonny Liston said, “I lied to my wife about that. I gotta tell you, I took that fall.”

It was Christmas eve, 1970, and Sonny Liston was about the furthest thing you could imagine from a handsome man. He had a furrowed brow and downcast hound dog prisoner eyes that wouldn’t meet mine, and the matching furrows on either side of his broad, flat nose ran down to a broad, flat mouth under a pencil thin moustache that was already out of fashion six years ago, when he was still King of the World.

“We all lie sometimes, Sonny,” I said, pouring him another scotch. We don’t mind if you drink too much in Vegas. We don’t mind much of anything at all. “It doesn’t signify.”

He had what you call a tremendous physical presence, Sonny Liston. He filled up a room so you couldn’t take your eyes off him—didn’t want to take your eyes off him, and if he was smiling you were smiling, and if he was scowling you were shivering—even when he was sitting quietly, the way he was now, turned away from his kitchen table and his elbows on his knees, one hand big enough for a man twice his size wrapped around the glass I handed him and the other hanging between his legs, limp across the back of the wrist as if the tendons’d been cut. His suit wasn’t long enough for the length of his arms. The coat sleeves and the shirt sleeves with their French cuffs and discreet cufflinks were ridden halfway up his forearms, showing wrists I couldn’t have wrapped my fingers around. Tall as he was, he wasn’t tall enough for that frame—as if he didn’t get enough to eat as a kid—but he was that wide.

Sonny Liston, he was from Arkansas. And you would hear it in his voice, even now. He drank that J&B scotch like knocking back a blender full of raw eggs and held the squat glass out for more. “I could of beat Cassius Clay if it weren’t for the fucking mob,” he said, while I filled it up again. “I could of beat that goddamn flashy pansy.”

“I know you could, Sonny,” I told him, and it wasn’t a lie. “I know you could.”

His hands were like mallets, like mauls, like the paws of the bear they styled him. It didn’t matter.

He was a broken man, Sonny Liston. He wouldn’t meet your eyes, not that he ever would have. You learn that in prison. You learn that from a father who beats you. You learn that when you’re black in America.

You keep your eyes down, and maybe there won’t be trouble this time.

2.

It’s the same thing with fighters as with horses. Race horses, I mean, thoroughbreds, which I know a lot about. I’m the genius of Las Vegas, you see. The One-Eyed Jack, the guardian and the warden of Sin City.

It’s a bit like being a magician who works with tigers—the city is my life, and I take care of it. But that means it’s my job to make damned sure it doesn’t get out and eat anybody.

And because of that, I also know a little about magic and sport and sacrifice, and the real, old blood truth of the laurel crown and what it means to be King for a Day.

The thing about race horses, is that the trick with the good ones isn’t getting them to run. It’s getting them to stop.

They’ll kill themselves running, the good ones. They’ll run on broken hearts, broken legs, broken wind. Legend says Black Gold finished his last race with nothing but a shipping bandage holding his flopping hoof to his leg. They shot him on the track, Black Gold, the way they did in those days. And it was mercy when they did it.

He was King, and he was claimed. He went to pay the tithe that only greatness pays.

Ruffian, perhaps the best filly that ever ran, shattered herself in a match race that was meant to prove she could have won the Kentucky Derby if she’d raced in it. The great colt Swale ran with a hole in his heart, and no one ever knew until it killed him in the paddock one fine summer day in the third year of his life.

And then there’s Charismatic.

Charismatic was a Triple Crown contender until he finished his Belmont third, running on a collapsed leg, with his jockey Chris Antley all but kneeling on the reins, doing anything to drag him down.

Antley left the saddle as soon as his mount saw the wire and could be slowed. He dove over Charismatic’s shoulder and got underneath him before the horse had stopped moving; he held the broken Charismatic up with his shoulders and his own two hands until the veterinarians arrived. Between Antley and the surgeons, they saved the colt. Because Antley took that fall.

Nobody could save Antley, who was dead himself within two years from a drug overdose. He died so hard that investigators first called it a homicide.

When you run with all God gave you, you run out of track goddamned fast.

3.

Sonny was just like that. Just like a race horse. Just like every other goddamned fighter. A little bit crazy, a little bit fierce, a little bit desperate, and ignorant of the concept of defeat under any circumstances.

Until he met Cassius Clay in the ring.

They fought twice. First time was in 1964, and I watched that fight live in a movie theatre. We didn’t have pay-per-view then, and the fight happened in Florida, not here at home in Vegas.

I remember it real well, though.

Liston was a monster, you have to understand. He wasn’t real big for a fighter, only six foot one, but he hulked. He loomed. His opponents would flinch away before he ever pulled back a punch.

I’ve met Mike Tyson too, who gets compared to Liston. And I don’t think it’s just because they’re both hard men, or that Liston also was accused of sexual assault. It’s because Tyson has that same thing, the power of personal gravity that bends the available light and every eye down to him, even when he’s walking quietly through a crowded room, wearing a warm-up jacket and a smile.

So that was Liston. He was a stone golem, a thing out of legend, the fucking bogeyman. He was going to walk through Clay like the Kool-Aid pitcher walking through a paper wall.

And we were all in our seats, waiting to see this insolent prince beat down by the barbarian king.

And there was a moment when Clay stepped up to Liston, and they touched gloves, and the whole theatre went still.

Because Clay was just as big as Liston. And Clay wasn’t looking down.

Liston retired in the seventh round. Maybe he had a dislocated shoulder, and maybe he didn’t, and maybe the Mob told him to throw the fight so they could bet on the underdog Clay and Liston just couldn’t quite make himself fall over and play dead.

And Cassius Clay, you see, he grew up to be Muhammad Ali.

4.

Sonny didn’t tell me about that fight. He told me about the other one.

BOOK: Shoggoths in Bloom
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