Read The History of Jazz Online

Authors: Ted Gioia

Tags: #Music, #History & Criticism

The History of Jazz (99 page)

BOOK: The History of Jazz
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Rossy, Jorge, 372
“Round Midnight,” 162, 220, 224, 268
Rouse, Charlie, 227
Rowles, Jimmy, 147, 169
Royal, Ernie, 248
Royal, Marshall, 247
“Ruby My Dear,” 222, 224
Rugolo, Pete, 245
rumba, 206
“Running Ragged,” 84
Runyon, Damon, 94
Rush Hour
, 378
Rushing, Jimmy, 152, 154
Russell, Bill, 29
Russell, Charles “Pee Wee,” 70, 75–77, 79, 255
Russell, George, 206, 238, 271, 281
Russell, Luis, 64
Russell, Ross, 202
Russo, Bill, 229, 245, 246
Ruth, Babe, 50
“Saeta,” 270
“Salt Peanuts,” 196, 201
Sampson, Edgar, 124, 132
Sanders, Pharoah, 315
“Sandu,” 287
Sargeant, Winthrop, 258, 258
n
5
“Satin Doll,” 180
Satterfield, Tom, 86, 105
Sauter, Eddie, 80, 132, 143–44
Sauter-Finegan band, 248
Savoy (record label), 210, 211
Savoy Ballroom, 195, 196
Sax, Antoine-Joseph “Adolphe,” 104
saxophone, 103–4, 106
Saxophone Colossus
, 284
Sbarbaro, Tony, 36
Schneider, Maria, 250–51, 371
Schoepp, Franz, 130
“School Days,” 212
Schuller, Gunther, 76, 99, 177–78, 223, 229, 229
n
18, 239, 239
n
22, 258, 281, 311, 315, 349
Schuur, Diane, 348, 376
Science Fiction
, 317
Scott, James, 92
Scott, Raymond, 367
Scott, Tony, 271
“Scrapple from the Apple,” 210
Second Herd, 241, 242, 243
“Secret Love,” 339
“Sepian Bounce,” 193
“Sepia Panorama,” 175
“Serenade to Sweden,” 172
“Sergeant Was Shy, The,” 172
“Sermon, The,” 294
“Seven Come Eleven,” 144
Severinsen, Carl “Doc,,” 248
“Shake Your Head,” 124
“Shakin’ the African,” 64
“Shanghai Shuffle,” 54
Shankar, Ravi, 386
Shape of Jazz to Come, The
, 314
Sharpe, Eddie, 86
Shavers, Charlie, 169
Shaw, Artie, 139–40, 168, 237, 347
Shaw, Ian, 376
Shaw, Woody, 291, 292, 347
Shearing, George, 232–34, 348
“Sheik of Araby, The,” 121
Shepp, Archie, 321–322
Shew, Bobby, 250, 355
“Shh/Peaceful,” 327
Shields, Larry, 36, 37
“Shine,” 63
Shipp, Matthew, 373
Shorter, Wayne, 290
n
18, 326, 329
“Shout for Joy,” 96
Shuffle Along
, 117
Sibelius, 370
“Sidewalk Blues,” 39, 40
“Sidewalks of Cuba,” 241
“Sidewinder, The,” 289
Silver, Horace, 221, 260, 288, 291–92, 371
Silver Leaf Band, 47
Simeon, Omer, 41
Simmons, John, 145
Simon, George, 257
n
2
Simon, Paul, 372
Sims, Joe, 59
Sims, John “Zoot,” 242, 346
Sinatra, Frank, 64, 80, 129, 179
“Sing, Sing, Sing,” 138, 142
“Singin’ the Blues,” 81–83, 158, 210
Sissle, Noble, 56
“Sister Cheryl,” 350
sitar, 280
Sketches of Spain
, 270
Skies of America
, 317
slave/slavery, 7
“Sleepy Time Gal,” 124
“Slippery Horn,” 121
Slonimsky, Nicolas, 279
slumming
, 116
Smith, Ada, 113
Smith, Bessie, 17–19, 127, 154, 165, 167
Smith, Cladys “Jabbo,” 64
Smith, Henry “Buster,” 152, 153, 157, 190, 191
Smith, Joe, 54, 102
Smith, Mamie, 16, 103
Smith, Paul, 346
Smith, W. O., 91
Smith, Willie “The Lion,” 90, 91, 93–94, 98, 120, 124, 152, 169, 179, 193
Smithsonian Institution, 349
“Smoke Gets in Your Eyes,” 224
“Smokehouse Blues,” 40
smooth jazz, 336, 337
“Snake Rag,” 46
“Snowfall,” 256
“Solace,” 23, 206
“Solitude,” 115, 122, 171
Solo Album, The
, 285
Solo Concerts: Bremen and Lausanne
, 340
“Some Other Time,” 274
Something Else! The Music of Ornette Coleman
, 314
“Sometimes I’m Happy,” 132, 134
Song for My Father
, 291
“Song of India,” 138
“Song of the Nightingale, The,” 190, 238
Sonoma Jazz Festival, 338
Sony (record label), 356 (
see also
Columbia
and
CBS)
“Sophisticated Lady,” 108, 122
“So Sorry, Please,” 219
Soul Gestures in Southern Blues
, 352
soul jazz, 285–307
Sound
, 358
Sound Grammar
, 317
Sound of Jazz, The
, 169
Sound of Sonny, The
, 284
Southern Syncopated Orchestra, 54
Souza, Luciana, 376
“So What,” 273
“Spain,” 329
Spalding, Esperanza, 376, 380
“Spangled Banner Minor,” 359
Spanier, Francis Joseph “Muggsy,” 73, 78, 137
Spanish law for slaves, 6
“Spanish tinge,” 205
spasm bands, 30
Speak Like a Child
, 304
Speak No Evil
, 290
Specht, Paul, 3
“Special Delivery Stomp,” 140
Spellman, A. B., 318
nn
7,9, 319n11
Spirits
, 340
“Spirituals to Swing” concert, 143
Spiritual Unity
, 322, 324
Spur of the Moment
, 378
“Squeeze Me,” 95
“Squirrel, The,” 204
St. Charles Theatre, 31
“St. Louis Blues,” 12, 18, 19, 37, 65, 161
St. Louis Symphony, 208
Stacy, Jess, 137
“Stampede, The,” 105, 106
“Stardust,” 63, 140
Stark, John, 22–24
Starr, Milton, 17
“Stars Fell on Alabama,” 79
State of the Tenor
, 293
“Stealin’ Apples,” 204
Stearns, Marshall, 4
Steely Dan, 379
Steeplechase (record label), 347
Stein, Gertrude, 117
“Stella by Starlight,” 245, 272
“Steppin’ into Swing Society,” 171
Steward, Herbie, 242
Stewart, Rex, 83, 102, 176
Still Life (Talking)
, 331
Stitt, Edward “Sonny,” 204, 212, 219, 273
Stomping the Blues
, 352
“Stomp It Off,” 138
“Stompy Jones,” 121
“Stoptime Rag,” 23
Stormy Weather
, 96
Storyville, 29–30
Storyville Club, 226
“Straight, No Chaser,” 223
“Strange Fruit,” 168
Stravinsky, Igor, 238, 365
Strayhorn, Billy, 171, 172, 181, 182, 293
Streisand, Barbra, 66
“Strictly Confidential,” 219
stride piano, 91–93, 96–97
“Stringing the Blues,” 84
“A String of Pearls,” 146
“Struttin’ with Some Barbecue,” 60, 65
Stuckey, Sterling, 4
Sublette, Ned, 4, 28
“Subtle Lament,” 172
Such Sweet Thunder
, 181
“Sugar Foot Stomp,” 141
“Suicide Is Painless,” 275
Sullivan, Joe, 75, 137
Summer Sequence
, 241, 242
“Summertime,” 56
“Summit Ridge Drive,” 140
Sun Ra, 237, 246–47, 373
“Sun Showers,” 168
“Sun Suite of San Francisco,” 316
“Superman,” 144
Supersonic Jazz
, 246–47
Sutton, Tierney, 376
“Swampy River,” 120
Swann, Roberta, 260
Sweatman, Wilbur, 25
“Sweet Georgia Brown,” 198
“Sweethearts on Parade,” 63
Sweet Rain
, 262, 328
Swing Era, 67, 71, 72, 195, 197, 198, 203–4, 238, 246, 261, 355

big bands, 136–47

Duke Ellington (middle period and later works), 170–83

jazz combo style in 1930s, 156–70

Kansas city jazz, 147–56

“King of Swing, the,” 127–36

Swing Era, The
, 99, 239
“Swing High,” 138
“Swing Low, Sweet Cadillac,” 212
“Swingmatism,” 193
Sydnor, Doris, 213
Symphony in Black
, 123, 167
“Symphony in Riffs,” 108
syncopations, 187
Tabackin, Lew, 249–50
Tacuma, Jamaaladeen, 317
“Take Five,” 232, 235
“Take the A Train,” 172, 181
Takin’ Off
, 304
“Tanga,” 387
“Tangerine,” 138
Tanglewood Festival, 349
tango, 206
Tapscott, Horace, 373
“Taps Miller,” 266
Tate, George “Buddy,” 312
Tatum, Art, 20, 25, 94, 96–99, 141, 158, 163, 192, 216, 218, 219, 232, 275, 346
“Taxi War Dance,” 155
Taylor, Arthur, 224, 287
n
17
Taylor, Billy, 173
Taylor, Cecil, 221, 227, 282, 310, 315, 317–21
Taylor, Creed, 296, 336–37
Taylor, Dave, 148
“Tea for Two,” 219, 236
Teagarden, Jack, 18, 64, 66, 78–79, 242, 255
“Tears,” 49
technological revolution and jazz, 370
Temple, Shirley, 50
“Temptation,” 238
“Tempus Fugit,” 218
“Tenor Madness,” 283
territory band
, 148
Terry, Clark, 179, 208
Teschemacher, Frank, 72, 75
“Texas Moaner Blues,” 56
“Texas piano,” 149, 312
“Texas tenor,” 312
“That Da Da Strain,” 76
BOOK: The History of Jazz
2.07Mb size Format: txt, pdf, ePub
ads

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