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Authors: Jeanette Winterson

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BOOK: The World and Other Places
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It has been difficult this last year. Love is difficult. Love gets harder which is not the same as to say that it gets harder to love. You are not hard to love. You are hard to love well. Your standards are high, you won’t settle for the quick way out which is why you made for the door. If I am honest I will admit that I have always wanted to avoid love. Yes give me romance, give me sex, give me fights, give me all the parts of love but not the simple single word which is so
complex and demands the best of me this hour this minute this forever.

Picasso won’t paint the same picture twice. She says develop or die. She won’t let yesterday’s love suffice for today. She makes it new, she remixes her colours and stretches her canvas until it sighs. My mother was glad when she heard we’d split up. She said, ‘Now you can come back to the Mainland. I’ll send Phaeon to pick you up.’ Phaeon runs a little business called LESBIAN TOURS. He drives his motor-boat round and round the island, just outside the one mile exclusion zone. He points out famous lesbians to sight-seers who always say, ‘But she’s so attractive!’ or ‘She’s so ugly!’

‘Yeah,’ says Phaeon, ‘and you know what? They’re all in love with me.’ One sight-seer shakes his head like a collecting box for a good cause. ‘Can’t you just ask one of ’em?’ he says. ‘I can ask them anything,’ says Phaeon who never waits to hear the answer.

Why Do You Sleep with Girls?

Picasso has loved me for fifty years and she loves me still. We got through the charcoal tunnel where the sun stopped rising. We no longer dress in grey.

On that day I told you about I took my coat and followed her footprints across the ice. As she walked the world froze up behind her. There was nothing for me to return to,
if I failed, I failed alone. Despair made it too dark to see, I had to travel by radar, tracking her warmth in front of me. It’s fashionable now to say that any mistake is made by both of you. That’s not always true. One person can easily kill another.

Hang on me my darling like rubies round my neck. Slip onto my finger like a ring. Give me your rose for my buttonhole. Let me leaf through you before I read you out loud.

Picasso warms my freezing heart on the furnace of her belly. Her belly is stoked to blazing with love of me. I have learned to feed her every day, to feed her full of fuel that I gladly find. I have unlocked the storehouses of love. On the Mainland they teach you to save for a rainy day. The truth is that love needs no saving. It is fresh or not at all. We are fresh and plentiful. She is my harvest and I am hers. She seeds me and reaps me, we fall into one another’s laps. Her seas are thick with fish for my rod. I have rodded her through and through.

She is painting today. The room is orange with effort. She is painting today and I have written this.

The Three Friends

Once upon a time there were two friends who found a third. Liking no one better in the whole world, they vowed to live in one palace, sail in one ship, and fight one fight with equal arms.

After three months they decided to go on a quest.

‘What shall we seek?’ they asked each other.

The first said, ‘Gold.’

The second said, ‘Wives.’

The third said, ‘That which cannot be found.’

They all agreed that this last was best and so they set off in fine array.

After a while they came to a house that celebrated ceilings and denied floors. As they marched through the front door they were only just in time to save themselves from dropping into a deep pit. While they clung in terror to the wainscotting, they looked up and saw chandeliers, bright as swords, that hung and glittered and lit the huge room where the guests came to and fro. The room was arranged for dinner, tables and chairs suspended from great chains. An armoury of knives and forks laid out in case the eaters knocked one into the abyss.

There was a trumpet sound and the guests began to enter the room through a trap door in the ceiling. Some were suspended
on wires, others walked across ropes slender as youth. In this way they were all able to join their place setting. When all were assembled, the trumpet blew again, and the head of the table looked down and said to the three friends, ‘What is it you seek?’

‘That which cannot be found.’

‘It is not here,’ she answered, ‘but take some gold,’ and each of the diners threw down a solid gold plate, rather in the manner that the Doge of Venice used to throw his dinnerware into the canal to show how much he despised worldly things.

Our three friends did not despise worldly things, and caught as many of the plates as they could. Loaded down with treasure they continued on their way, though more slowly than before.

Eventually they came to Turkey, and to the harem of Mustapha the Blessed CIXX. Blessed he was, so piled with ladies, that only his index finger could be seen. Crooking it he bade the friends come forward, and asked in a muffled voice, ‘What is it you seek?’

‘That which cannot be found.’

‘It is not here,’ he said in a ghostly smother, ‘but take some wives.’

The friends were delighted, but observing the fate of Mustapha, they did not take too many. Each took six and made them carry the gold plate.

Helter skelter down the years the friends continued their journey, crossing continents of history and geography,
gathering by chance the sum of the world, so that nothing was missing that could be had.

At last they came to a tower in the middle of the sea. A man with the face of centuries and the voice of the wind opened a narrow window and called,

‘What is it you seek?’

‘That which cannot be found … found … found’ and the wind twisted their voices into the air.

‘It has found you,’ said the man.

They heard a noise behind them like a scythe cutting the water and when they looked they saw a ship thin as a blade gaining towards them. The figure rowed it standing up, with one oar that was not an oar. They saw the curve of the metal flashing, first this side and then that. They saw the rower throw back his hood. They saw him beckon to them and the world tilted. The sea poured away.

Who are they with fish and starfish in their hair?

Orion

Here are the coordinates: Five hours, thirty minutes right ascension (the coordinate on the celestial sphere analogous to longitude on earth) and zero declination (at the celestial equator). Any astronomer can tell where you are.

It’s different, isn’t it, from head back in the garden on a frosty night, sensing other worlds through a pair of binoculars? I like those nights; kitchen light out, wearing Wellingtons with shiny silver insoles. On the wrapper there is a picture of an astronaut showing off his shiny silver suit. A short trip to the moon has brought some comfort back to earth. We can wear what Neil Armstrong wore and never feel the cold. This must be good news for star-gazers whose feet are firmly on the ground. We have moved with the times. And so will Orion.

Every 200,000 years or so, the individual stars within each constellation shift position. That is, they are shifting all the time, but more subtly than any tracker dog of ours can follow. One day, if the earth has not voluntarily opted out of the solar system we will wake up to a new heaven whose dome will again confound us. It will still be home but not a place to take for granted. I wouldn’t be able to tell you the
story of Orion and say, ‘Look, there he is, and there’s his dog Sirius whose loyalty has left him bright.’

The dot-to-dot log book of who we were is not a fixed text.

For Orion, who was the result of three of the gods in a good mood pissing on an ox-hide, the only tense he recognised was the future continuous. He was a mighty hunter. His arrow was always in flight, his prey, endlessly just ahead of him. The carcasses he left behind became part of his past faster than they could decay. When he went to Crete he did no sunbathing. He rid the island of all its wild beasts. He could really swing a cudgel.

Stories abound: Orion was so tall he could walk along the sea bed without wetting his hair. So strong he could part a mountain. He wasn’t the kind of man who settles down. And then he met Artemis, who wasn’t the kind of woman who settles down either. They were both hunters and both gods. Their meeting is recorded in the heavens, but you can’t see it every night, only on certain nights of the year. The rest of the time Orion does his best to dominate the skyline as he always did.

Our story is the old clash between history and home. Or to put it another way, the immeasurable impossible space that seems to divide the hearth from the quest.

Listen to this.

On a wild night, driven more by weariness than good sense, King Zeus agreed to let his daughter do it differently. She didn’t want to get married and sit out some war, while her man, god or not, underwent the ritual metamorphosis from palace prince to craggy hero. She didn’t want children. She wanted to hunt. Hunting did her good.

By morning she had packed and set off for her new life in the woods. Soon her fame spread and other women joined her but Artemis didn’t care for company. She wanted to be alone. In her solitude she discovered something very odd. She had envied men their long-legged freedom to roam the world and return full of glory to wives who only waited. She knew about the history-makers and the home-makers, the great division that made life possible. Without rejecting it, she had simply hoped to take on the freedoms that belonged to the other side. What if she travelled the world and the seven seas like a hero? Would she find something different or the old things in different disguises?

She found that the whole world could be contained in one place because that place was herself. Nothing had prepared her for this.

The alchemists have a saying: ‘Tertium non datur.’ The third is not given. That is, the transformation from one element into another, from waste matter into best gold is a mystery, not a formula. No one can predict what will form out of the tensions of opposites and effect a healing change between them. And so it is with the mind that moves from
its prison to a free and vast plain without any movement at all. Something new has entered the process. We can only guess.

One evening, when Artemis had lost her quarry, she lit a fire where she was and tried to rest. But the night was shadowy and full of games. She saw herself by the fire; as a child, a woman, a hunter, a Queen. Grabbing the child, she lost sight of the woman, and when she drew her bow, the Queen fled. What would it matter if she crossed the world and hunted down every living creature, as long as her separate selves eluded her? When no one was left she would have to confront herself. Leaving home left nothing behind. It came too, all of it, and waited in the dark. She realised that the only war worth fighting was the one that raged within; the rest were all diversions. In this small space, her hunting miles, she was going to bring herself home. Home was not a place for the faint-hearted; only the very brave could live with themselves.

In the morning she set out and set out every morning day after day.

In her restlessness she found peace.

Then Orion came.

He wandered into Artemis’s camp, scattering her dogs and bellowing like a bad actor, his right eye patched and his left
arm in a splint. She was a mile away fetching water. When she returned she saw this huge rag of a man eating her goat, raw. When he finished, with a great belch and the fat still fresh around his mouth, he suggested they take a short stroll by the sea’s edge. Artemis didn’t want that but she was frightened. His reputation hung about him like bad breath.

The ragged shore, rock pitted and dark with weeds, reminded him of his adventures and he recounted them in detail while the tide came in to her waist. There was nowhere he hadn’t been, nothing he hadn’t seen. He was faster than a hare, stronger than a pair of bulls.

‘You smell,’ said Artemis, but he didn’t hear.

Eventually he allowed her to wade in from the rising water and light a fire for both of them. No, he didn’t want her to talk, he knew about her. He had been looking for her. She was a curiosity; he was famous. What a marriage.

But Artemis did talk. She talked about the land she loved and its daily changes. This was where she wanted to stay until she was ready to go. The journey itself was not enough. She spoke quickly, her words hanging on to each other; she had never told anyone before. As she spoke, she knew it was true, and it gave her strength over her fear, to get up and say goodbye. She turned. Orion raped Artemis and fell asleep.

She thought about that time for years. It took a few moments only and she only aware of the hair of his stomach
matted with sand, scratching her skin. When he had finished, already snoring, she pushed him off. His snores shook the earth. Later, in the future, the time would remain vivid and unchanged. She wouldn’t think of it differently, she wouldn’t make it softer or harder. She would just keep it and turn it over in her hands. Her revenge had been swift, simple, and ignominious. She killed him with a scorpion.

In a night, 200,000 years can pass, time moving only in our minds. The steady marking of the seasons, the land well loved and always changing, continues outside, while inside, light years move us on to landscapes that revolve under different skies.

BOOK: The World and Other Places
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